Monday, April 4, 2011
ATLANTA
Sunday, March 27, 2011
ATLANTA
Monday, March 21, 2011
Personal Vision
Monday, February 28, 2011
Spring Break and SPE National Conference
Sunday, February 13, 2011
Tyler Busby
Story Mill Experimental
If we are to believe that humans are a part of the natural world then we must also believe that everything made by humans is a part of the natural world and, if left unattended long enough, will return, on its own accord, to the realm of the organic. Within my Story Mill project, I chose to focus on the way in which, after its abandonment, the massive mill shed the guise of commerce and industry and began to settle softly back into the natural landscape.
To see this, and other work check out www.tylerbusby.com
Sunday, February 6, 2011
David Arnar
Sunday, January 30, 2011
Dan Ross Buettner
In Ancient Roman times, the furniture within the triclinium, or dining
room, were carefully arranged in order to aim the guests' view towards
a certain direction. On the opposite wall, grandiose paintings and
murals were displayed for the enjoyment of the guests and host alike.
These paintings were not only a means for the owner to flaunt his or
her wealth, but were also intended to stimulate conversation by
encouraging the discussion of the art and its possible meanings.
In today's world, television has taken its place as the focal point
within the typical American household. Unlike the engaging nature of
the art or intellectual conversations of the Romans, television lacks
the interactive quality that stimulates the mind. A viewer becomes
passive and surrenders his or her senses to the perpetual flood of
information and images. Satisfaction is never achieved through
television because the viewers are lulled into a perpetual state of
boredom, despite television's promises of eliminating the humdrum of
everyday life. It is not uncommon for people to switch on the
television even though there is nothing of particular interest being
broadcast. Television has become the ultimate distraction from the
world before us due to its constant demand for attention. Rather than
engage with one's company, society has created a fallback plan for
those to avoid human interaction while simultaneously creating the
illusion of bonding with those sharing the screen.
This series, entitled A Vast Wasteland (a phrase coined by the FCC
chairman, Newton N. Minow, in 1961) is inspired by a personal
awakening to the alienating and time-consuming nature of television.
The images act as visual representations of television's power to
drain the emotion and vigor of those willing to submit to it.
Sunday, January 23, 2011
Sam Reinsel
What Lies Dormant
This series is a project I undertook to explore what separates conscious life and subconscious thought. I wanted to come to terms with what guides our decisions and emotions beyond rational thinking—at a purely emotive level, but below what we might perceptively feel every day. The ripple effect of thought and decision often has unrelated and uncontrollable repercussions, stretching far beyond what we start and pointing back past where we began. I tried to capture this through the photographic process by hand-manipulating negatives with methods I had limited control over. As a physical aesthetic, it illustrates my heavy-handed touch with a much more complex aftermath resulting from uncontrollable variables. As a visual aesthetic, the manipulations create a storyline between suggestive gestures and their fictional counterparts. Which, then, causes the other? We may never know, but the evidence and questions will always be there to suggest our own conclusions.
Sunday, January 16, 2011
Parker Hilton
After a series of failed relationships a few years ago I turned to my Dad for
advice, not because I was left heartbroken but because “I canʼt figure you out” was the
most common verbal nail in the coffin that ended whatever relationship there was left. I
needed some sort of clarification. Was it some kind of Hilton mystique I was gifted with
or was it something deeper? After a long talk my Dad ended with, “when your mom
died there is probably a very real fear instilled in you that the important woman in your
life will disappear. It makes sense that you hesitate to let girls in.” I began to think
about the major female figures in my life, and how the majority of those relationships.(be
it an aunt, grandma, or a potential mom replacement) all ended with death or distance.
Since then I have come to terms with my trust issues, and have mostly become
comfortable with them. That acceptance however has left me in a twisted purgatory of
sorts. My comfort zone usually develops an expiration date around the twelve hour
mark and any hopes of a serious relationship usually fall victim to my own subconscious
sabotage.
The ensuing consequence is a perpetual failed attempt at rebuilding trust. Under
a curtain of cigarettes, alcohol, and a humorous lack of self restraint; I welcome women
into my life, but with a hangover and an awkward morning I realize that Iʼm not quite as
available as I thought the previous night. As the physical manifests the emotional the
personality of these girls becomes irrelevant. With the morning, and the nearing
expiration date, the walls come back up and I find myself haunted by another road not
taken.
Parker Hilton